When an actor comes to me and wants to discuss his character, I say, ‘It’s in the script.’ If he says, ‘But what’s my motivation,’ I say, ‘Your salary.’ – Alfred Hitchcock
So last Saturday night I painfully sat through HBO’s The Girl, Tippi Hedren’s alleged account of her mental and sexual abuse from Alfred Hitchcock during the making of The Bird’s and Marnie – a borderline trashy gossip flick and a desperate attempt by Tippi to gain the spotlight one last time by accusing Hitch hindered her career even though he plucked her out from obscurity. But who am I to judge this supposed retelling of she said – he’s dead? Though I can’t see The Birds leaving her too traumatized as she went on to live with a houseful of live-in lions for her and her hubby’s flop Roar, putting all including her daughter at a serious risk of getting one’s head chomped the fuck off.
What I can say is that this made for cable movie was shot so bad that it belonged on Lifetime. This probably being the one reason Hitch is rolling in his grave. And I can’t imagine what Bernard Hermann must think of the atrocious score they laid under this turd.
The only inside story I came away with is that Tippi was a nickname given by her Grandfather. And that Toby Jones who plays Hitch, like his portrayal of Truman Capote to Phillip Seymour Hoffman’s, will once again root comparisons with the upcoming Hitchcock feature film with Sir Anthony Hopkins – which will undoubtedly steal all of Toby’s thunder, relegating him at best to an understudy, due to the fact that I can’t imagine how anybody could do worse.
As was well known Hitch was obsessed with blondes – The Girl prefaces with Hitchcock’s words; “Blondes make the best victims. They’re like virgin snow that shows up the bloody footprints.” How this is equated with Tippi I don’t know, since I’m not quite sure she was a victim but a more or less a flirt and terrible actress. Unless you consider some fat old perv hitting on you, whom happens to be a genius – sexual assault? Instead, I always found Roman Polanski’s take a bit more haunting when answering Robert Towne’s (Chinatown screenwriter) question on why he changed his ending to a tragedy – “Because beautiful blondes die in Los Angeles.” At least Hitch didn’t rape Melanie.